‘Down the Rabbit Hole’ by Peter Abrahams.

 A cosy Young Adult novel.

Dear followers, I hope you enjoy this cosy book review. Snuggle down with a hot choccy!

On what was a suitably wet and windy afternoon in 2012, I gave up the ongoing struggle to make friends and sought refuge in a quiet corner of the school library, which was always warm and inviting in September. After a couple of minutes scanning through the limited selection of ‘New Releases’, wrapped and sealed in their protective jackets, I came across a distinct purple paperback – it seemed better quality than most YA fiction.

It had a cover illustration (now out of print) of a towering solitary house secluded by a pair of tall, crooked trees, and the title itself – ‘DOWN THE RABBIT HOLE’. I couldn’t resist a novel that honoured the classic children’s story. And at the time, I was stuck in a deep pit of confusion and rejection, longing for a sense of connection and familiarity – when this empathetic little gem fell into my hands. No one had read it yet, it’s pages smelt new, undiscovered! I borrowed it there and then.

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Front Cover of the newest edition.

‘Down The Rabbit Hole’ is a 352-page Young Adult crime/ mystery novel written by Peter Abrahams. Whilst this may not be the newest book to write a review on (it was first published in 2006!) I still think that it’s an enthralling, lesser-known fiction which all inquisitive, cosy book lovers should have the opportunity to discover!

Thirteen-year-old Ingrid Levin-Hill lives at 99 Marple Lane in Echo Falls, with her mum and dad, her brother Ty and the family dog, Nigel. Ingrid plays football, has landed the lead role of Alice ‘in Wonderland’ in the school play, gets decent grades at school, and idolises Arthur Conan Doyle’s fictional hero, Sherlock Holmes. One day, when Ingrid gets lost between her orthodontist appointment and football practice, she crosses paths with Katherine Kovac, or “Crazy Katie”. A retired actress turned social misfit, she lives alone in the poorer part of town and invites Ingrid into her home to call for a cab.

Harking back to childhood, I could remember the shameful experience of getting lost in town and the feeling of panicked disorientation and desperation to get back home again. And so, I could strongly connect with Ingrid’s sense of unease in these early scenes.

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Ingrid meets “Crazy Katie”.

The next morning, however, Ingrid reads that Katie has been found dead in her home, and Ingrid is a key witness in the moments before her death. Perhaps more disturbingly, Ingrid has left her football boots behind – at the scene of the crime! In a mission to retrieve her Pumas and a compelling desire to solve the mystery, Ingrid slips into a dark subculture of murder and mystery and metaphorically falls ‘Down The Rabbit Hole’.

What I truly loved about this novel, was it’s rich sense of atmosphere. Echo Falls is a gentrified suburban town, with discreetly obscured secrets. Abrahams goes a long way to emphasise this through the use of light imagery contrasted with shadows and a detailed history of a family known as the Prescotts. As a child, Ingrid finds herself caught up in this dangerous adult world and despite coming off as a bit ‘Famous Five-ish’, it does give leeway for some gripping, scenes towards the main chunk of the novel.

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The beautiful Back Cover.

However, there were some topical issues in this novel which I didn’t agree with, simply for the way they were handled by the author. The apparent normalisation of younger brother Ty’s use of steroids in his physical training regime and then, we have a casually brushed off incident where Ty flies into a fit of rage and gives Ingrid a black eye. Another was with Ingrid’s continuous dishonesty towards those around her – particularly her relationship with Detective Inspector Strade. My final issue was that this was written by an America author; I couldn’t understand the American sporting aspect of the novel which featured quite heavily, and a lot of the regional social characteristics went straight over my head. There was also the use of cell phones and MSN-style chatrooms which seemed slightly dated, haha! Nevertheless, I enjoyed ‘Down the Rabbit Hole’ and I would describe it as an atmospheric, gripping, rainy day, good quality sort of book.

Though the novel seems to be aimed at teenagers, I would recommend it to pretty much anyone.

Published in Great Britain in 2006 by Walker Books Ltd, Reprinted in 2012

Written by Peter Abrahams, front cover design by Richard Merritt

ISBN: 978-1-4063-3070-0

Wishing you all a lovely bank holiday weekend!

‘The Strange Affair of Spring-Heeled Jack’ by Mark Hodder.

One place you’re most likely to find me is: nowhere. I don’t get out much; I mainly escape through the pages of the latest book I’m reading. After many school years over-analysing lines of text, I had forgotten how to simply read a book. It wasn’t until Christmas that a tall stack of gifted novels triggered me into making a first determined effort to break the back bone of my reading anxiety. As it turns out, I enjoyed the first book I read so much, that I decided to write a book review on it here:

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The Strange Affair of Spring-Heeled Jack’ (2010) is a 479-page Victorian Steampunk novel, written by Mark Hodder. I was initially apprehensive, because if reading the dystopian passages of Mortal Engines was anything to go by, then I would find this one mighty tough read. However, this exciting novel is set in an alternative ‘Albertian’ London and makes use of an array of 19th-Century historical figures. Sir Richard Francis Burton is the multi-disciplined and charismatic protagonist who investigates two parallel subplots. The more interesting of which is his terrifying encounter with the alien figure of Spring-Heeled Jack. I enjoyed Hodder’s use of a third-person narrative, told from the perspective of Burton, as I ‘shared’ the sensation of being plunged into a murky world of terror and mystery. I also liked the fact that I had stumbled across a story about the lesser-known urban myth of Spring-Heeled Jack. There are too many stories which revolve around Jack the Ripper and if you haven’t heard of Spring-Heeled Jack before, then just a mention opens you up to a new avenue of education into English folklore.

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   Credit: The British Library.

At no point is the plot tiresome and this is diverted with the aid of Burton’s youthful and naive companion Algernon Swinburne. Swinburne not only provides opportunity for exciting and daring plot twists but instant likeability and flippant humour along the way. I was able to sit down with this book and become engrossed in its pages 2-3 hours at a time.

Another thing I appreciate, and respect is Hodder’s extensive knowledge of the period and this is clear with his rich detailing of factual events that occurred at the time. Not only does this offer a real flavour for 19th-Century history, but the material is beautifully entwined with fictional creativity. If you have an appreciation for the Victorian period, this book will be well within your comfort zone – both engaging and rewarding with a few delightful guest appearances sprinkled throughout. On the fictional side, the narrative is set against the backdrop of an alternative London, where the Romantic-like factions of society known as the Rakes and hard-line Libertines are waring with the Eugenicists and Technologists, who form the backbone of the empire. There are velocipedes and swearing messenger parakeets, a vicious albino panther man, and wolves which kidnap chimney sweeps in the smog. And Burton finds himself plunged into this insane reality when he is called upon by Prime Minister Lord Palmerstone as the King’s secret agent, to investigate the strange disappearances. For a considerable chunk of the novel I wondered about the significance – if any – of Hodder choosing to write a story in ‘Albertian’ Britain. As it turns out, there was a lot of significance and this concept was a result of a key part of the plot.

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Just when I thought things were being tied together, Hodder flipped the narrative on its head and the reader gains a completely new version of the story from a different perspective. Yes, the novel has elements of Victorian Steampunk in it, but I’d argue that this doesn’t define it. The combination of a 19th-Century setting, the mystery, grime and Hodder’s detailed navigation around London are what largely set the mood, and this isn’t the typically ‘dry’ result you get from a lot of books set in similar periods, like Terry Pratchett’s ‘Dodger’ (sorry Terry).

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If I had to find something potentially negative in Hodder’s writing, it would be his characterisation of female figures. And characters like Isabell Arundell and the famous Florence Nightingale have very limited dialogue to none whatsoever, which makes them come across as quite two-dimensional. However, in a period which was effectively a man’s world, I guess this can be accepted. Another questionable aspect were instances of assault, but again in the greater context of the storyline, it made sense in its own twisted way. Hodder’s writing was plausible enough to even make me feel pity for person responsible for the acts. Whilst I did get the impression that the story became convoluted and it dissolved into dramatic fantasy near the end, the overall experience of the novel was so enjoyable that the next book in the Burton and Swinburne series is on my eventual wish list. If you’re into mystery slightly more than crime, as well a clash between science-fiction and history, then I’d recommend.

Published in 2010 by Snowbooks Ltd, Reprinted 2017
Written by Mark Hodder and Illustrated by Kate Hiscock

ISBN: 978-1-906727-20-8